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The twenty-first-century's turn away from fidelity-based adaptations toward more innovative approaches has allowed adapters from Spain, Argentina, and the United States to draw upon Spain's rich body of nineteenth-century classics to address contemporary concerns about gender, sexuality, race, class, disability, celebrity, immigration, identity, social justice, and domestic violence. This book provides a snapshot of visual adaptations in the first two decades of the new millennium, examining how novelistic material from the past has been remediated for today's viewers through film,...

Thrust into the international spotlight in 1966 when The Hunt, his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since.

Best known in the United States for his Flamenco trilogy--Blood Wedding, Carmen, and A Love Bewitched--he also received Oscar nominations for Mama Turns a Hundred, Carmen, and Tango. Saura's movies are frequently ambiguous, sometimes controversial, and always narratively...

Thrust into the international spotlight in 1966 when The Hunt, his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since.

Best known in the United States for his Flamenco trilogy--Blood Wedding, Carmen, and A Love Bewitched--he also received Oscar nominations for Mama Turns a Hundred, Carmen, and Tango. Saura's movies are frequently ambiguous, sometimes controversial, and always narratively...