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Why do queer bachelors and homosexual desire haunt the works of the German writer W. G. Sebald (1944-2001)? In a series of readings of Sebald's major texts, from 'After Nature' to 'Austerlitz', Helen Finch's pioneering study shows that alternative masculinities subvert catastrophe in Sebald's works. From the schizophrenic poet Ernst Herbeck to the alluring shade of Kafka in Venice, the figure of the bachelor offers a form of resistance to the destructive course of history throughout Sebald's critical and literary writing. Sebald's poetics of homosexual desire trace a 'line of flight' away...

Shows how Adler, Wander, Hilsenrath, and Kluger intertwine transgressive political criticism with the shadow of trauma, revealing new perspectives on canon formation and exclusion in postwar German literature.

Since 1945, authors and scholars have intensely debated what form literary fiction about the Holocaust should take. The works of H. G. Adler (1910-1988) and W. G. Sebald (1944-2001), two modernist scholar-poets who settled in England but never met, present new ways of reconceptualizing the nature of witnessing, literary testimony, and the possibility of a "poetics" after Auschwitz. Adler, a Czech Jew who survived Theresienstadt and Auschwitz, was a prolific writer of prose and poetry, but his work remained little known until Sebald, possibly the most celebrated German writer of recent years,...