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Individuen, die manchmal noch nie geschrieben oder gezeichnet haben, die sich wahrscheinlich nicht einmal vorstellen konnten, dies zu tun, bevor sie sich an diesen und jenen Ort begeben haben, drücken sich auf ungewöhnlichen Trägern, Felsen, Mauern oder Bäumen in einer Sprache aus, die sowohl für sie persönlich ist als auch sehr von der Gruppe abhängt, zu der sie während ihrer Passage durch den Ort gehören. Wer sind sie und was sind die Elemente, die ihr Handeln rechtfertigen? Die am häufigsten genannten Gründe sind Müßiggang, der sie dazu veranlasst, "ihre Hände zu...

A detailed study of Neolithic rock paintings in southern France, the majority of which lie to the east of the Rhone. Hameau discusses the theoretical and methodological aspects of studying schematic figures and motifs before presenting a large inventory of sites where each is described in terms of its location and situation, and in terms of the art found there. His final analysis of the art, the association between figures, animals and motifs, and the use of space, convince him that there was a set of precise rules followed by those who created the art. French text, short English summary.

Individuals who have sometimes never written or drawn, who have probably never even imagined doing so before going to such and such a place, come to express themselves on unusual supports, rock, wall or tree, according to a language that is both personal to them and very dependent on the group to which they belong during the time of their passage through the site. Who are they and what are the elements that justify their actions? The reasons most frequently invoked are idleness which would push them to "occupy their hands" or a will to appropriate the places by marking them with their name:...