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The volume brings together for the first time the photographs taken by Olivo Barbieri (Carpi, Modena, 1954) in the early eighties. In these shots, full of mystery and everyday life, can be found all the elements that in the following decades the Emilian master would have developed: the artificial lighting in contemporary cities, views from above, home interiors and bars, the signs left by man in the landscape. In consonance with the spirit of research that characterised the season of Italian photography between the late seventies and the early eighties, Barbieri scoured with a sharp and...

Ghirri's work is distinguished by the tension between the object and its representation and there is nothing that he loves more than those situations in which boundaries become permeable. His work has taught us a new way of seeing, giving meaning to what is seemingly obvious. What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving...

Reflections on the landscape are the fulcrum of Franco Fontana's poetic imagery, whose work has always been aimed at revealing the mystery of the invisible that is hidden within the visible. Photography is the tool Franco Fontana uses to capture the inexistent of what is real - always hanging in the balance between representation of reality and so-called reality. Fontana's work, therefore, represents an analysis of seeing, meant as an imaginative and cognitive activity: his intentions are not restricted to documenting the appearance of the places and people he captures, nor to the idea...