The Singing on Stage: An Actor's Guide

ISBN-13: 9781408145470 / Angielski / Miękka / 2014 / 176 str.

Jane Streeton; Philip Raymond

Opis

Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit. Singing on Stage: An Actor's Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a 'one-size-fits-all' or 'quick-fix' approach. Written in an accessible, friendly and enabling style, Singing on Stage: An Actor's Guide is packed with exercises to develop the actor's skills and gives an overview of:
- elements of technique
- how to work on a song
- the process of singing theatrically
- how to choose the best songs for you Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor's Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.

Recenzje

The authors of this book explain the excellent singing techniques taught at RADA, which are vital for any actor or serious drama student. My singing training at RADA has seen me through musicals and Shakespeare from Miss Saigon to King Lear. Jonathan Pryce, Actor, Olivier and Tony Award Winner and RADA graduate

Spis treści

Dedication Prelude Introduction Chapter 1 A Short History of Singing at RADA Chapter 2 The Actor's Way In Chapter 3 Bel Canto in Perspective Chapter 4 The Role of the Singing Teacher Chapter 5 The Role of the Student Chapter 6 Making a Plan - The Contract Chapter 7 Fundamental Principles - Posture and Breathing Chapter 8 Ways we Work with Actors - Exercises Chapter 9 The Role of the Coach and the Accompanist Chapter 10 The Actor's Solar System Chapter 11 Acting Through Song Chapter 12 Musical Form and Storytelling Chapter 13 Listening and the Voice as a Musical Instrument Chapter 14 An Approach to Vocal and Theatrical Styles Chapter 15 Some Stylistic Influences Chapter 16 Thoughts on Repertoire Chapter 17 Unaccompanied Singing Chapter 18 Practising and Taking the Reins Chapter 19 The Next Step - Workshops, Masterclasses, Cabarets, Small Roles Chapter 20 Preparation for Auditions Chapter 21 Rehearsals and Performances Chapter 22 Troubleshooting Chapter 23 Miscellany Conclusion Coda Bibliography Index of Listening Suggestions Photograph and Illustration Credits

O autorze

Jane Streeton studied at the Royal College of Music where she graduated with honours and was a winner of the Clara Butt Award. She is currently co-ordinator for the singing department and Course Leader for the Musical Theatre Short Courses at RADA. Philip Raymond studied singing at the Royal College of Music, was Head of Music at the Webber Douglas Academy and currently teaches singing at RADA and Mountview Academy.