'The reader will be impressed by the detailed analysis of the poems as well as by the insightful engagement with other sources … the publication of the first ever monograph to be devoted entirely to … late classical Greek lyric poetry deserves to be celebrated.' Theodora A. Hadjimichael, Greek and Roman Musical Studies
Introduction: definitions, methods, prejudices of reception; 1. A collection of unrecollected authors? The corpus and its problems; 2. New music and its myths: rhetoric, persona, and the theatre stage; 3. Musical lives: reading through the lives of the poets; 4. The language of new music: poetics of compounds and baroque aesthetics; 5. From authority to fantasy: narrative, voice, fictionality; 6. A canon set in stone? Epigraphy, literacy, musical tourism; Conclusion.