The History of Cinema: A Very Short Introduction

ISBN-13: 9780198701774 / Angielski / Miękka / 2018 / 144 str.

Geoffrey (Honorary Professorial Fellow in the School of Hist

Opis

Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over.

Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to color, and considers its genres from intellectual art house to mass market entertainment.

ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Recenzje

Never be fooled by the title: there may only be 100 pages of narrative, and you can easily fit the book into a pocket, but packed into that is a wealth of detail Geoffrey Nowell-Smith worked for many years at the British Film Institute, and therefore writes with the benefit of insider access to archive footage and documentary records... Definitely a must read for [those] who belong to film groups

O autorze

Professor Geoffrey Nowell-Smith is one of the leading scholars in film studies. During his long academic career he taught film studies in various universities in Britain and the US, and from 1978-1989 he was Head of Education and then Head of Publishing at the British Film Institute. He has authored and edited a number of books, including The Oxford History of World Cinema (OUP, 1996) and Making Waves: New Wave, Neorealism, and the New Cinemas of the 1960s (Bloomsbury, 2007).