The Cultural Production of Social Movements

ISBN-13: 9783031333125 / Angielski

Robert F. Carley

Opis

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: "ideological contention." It is a theory of ideology "from below." The Cultural Production of Social Movements shows how conflicts-both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements-produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver's break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of "Worker-Recovered Enterprise Movements" in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes-which become realized as tactics in protests, struggles, defeats, and victories-that makes the relationship between movements, and what they "mean" conscious to its participants.

Spis treści

Chapter 1. Introduction

Ideology, Cultural Studies, and Social Movements

Chapter Outline

References

Chapter 2. Ideological Contention

Social Movement Literature on Ideology

Framing and Ideology

Ideological Contention

Ideological Contention and Social Reproduction

References

Chapter 3. Incipient Practice and Culture

An Outline of Incipient Practice

Raymond Williams: Cultural Production and Cultural Formations

Antonio Gramsci: Organic Intellectuals, Organicitá, and Cultural Production

References

Chapter 4. Incipient Practice, Class, and Ideology

W.F. Haug and PIT: Superordinate Ideas, Socialization, and Competencies

Workerism, Class Composition, and Contemporary Class-Capital Relations

References

Chapter 5. The Factory Without Bosses

Struggles in and Beyond the Factory

From Civil Society to Society: Instituting Activities of FaSinPat

Incipient Practice, Instituent Praxis, and Constituent Power

References

Chapter 6. Incipient Practice and Subaltern Groups

Crenshaw, Collins, Omi and Winant, Hall, and Bonilla-Silva

Contextualizing Structural Racism in Italy

Subaltern Groups: Categorization and Critique

Continuity of Struggle/Continuity of Organization: The Role of Subaltern Groups

Subaltern Groups, Incipient Practice, and Organizing Intersectional Struggles

References

Chapter 7. Conclusion 

References

O autorze

Robert F. Carley is Associate Professor of International Affairs in the Bush School of Government and Public Service at Texas A&M University. He is Vice President and President Elect of the Cultural Studies Association and is co-editor of Lateral: Journal of the Cultural Studies Association. He is the author and editor of eight books, most recently Cultural Studies in the Interregnum (Temple University Press, Forthcoming), Cultural Studies Methodology and Political Strategy (Palgrave Macmillan), and Culture and Tactics: Gramsci, Race, and the Politics of Practice (State University of New York Press).

Blurb

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: “ideological contention.” It is a theory of ideology “from below.” The Cultural Production of Social Movements shows how conflicts—both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements—produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver’s break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of “Worker-Recovered Enterprise Movements” in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures.

Robert F. Carley is Associate Professor of International Affairs in the Bush School of Government and Public Service at Texas A&M University. He is Vice President and President Elect of the Cultural Studies Association and is co-editor of Lateral: Journal of the Cultural Studies Association. He is the author and editor of eight books, most recently Cultural Studies in the Interregnum (Temple University Press, Forthcoming), Cultural Studies Methodology and Political Strategy (Palgrave Macmillan), and Culture and Tactics: Gramsci, Race, and the Politics of Practice (State University of New York Press).