The Art of Record Production: Creative Practice in the Studio

ISBN-13: 9781138205109 / Angielski / Twarda / 2019 / 204 str.

Simon Zagorski-Thomas; Katia Isakoff; Serge Lacasse

Opis

This book is designed as a general introductory reader, a textbook for undergraduate degree courses studying the creative processes involved in the production of recorded music.

Recenzje

'The Art of Record Production is an impressive, important achievement. Just a glance at the list of contributors - all prominent scholars and practitioners - reveals the value of this volume. But take a closer look and it becomes clear what a thoughtfully produced, methodologically diverse, thoroughly researched, and engaging work this is. The Art of Record Production is an ideal companion for anyone interested in the aesthetic, cultural, musical, and technical aspects of recorded music.' Mark Katz, University of North Carolina, USA 'This is an excellent and stimulating contribution to an understudied area. The book will be welcomed by everybody seriously interested in recorded music. Students in particular will benefit from the broad range of questions and subjects covered in this publication.' Peter Wicke, Humboldt-University Berlin, Germany 'The Art of Record Production is a collection of essays offering significant theoretical contributions and frameworks for a new academic field... The book takes a significant step forward in establishing theoretical frameworks and also presents a roadmap for further research... enjoyable and informative.' Dancecult: Journal of Electronic Dance Music Culture 'The Art of Record Production is an anthology of sixteen essays, all well written... a good supplement to the already established field of Sound Studies.' ICON

Spis treści

Preface: A Quebecer Pioneer of Music Recording - André Perry and Gérald Côté, Introduction - Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse Part 1 – The Creative Use Of Technology 1. Tanya Tagaq: A Cosmopolitan Artist in the Studio - Sophie Stévance and Serge Lacasse 2. Moving at High Speed Into the Future: Notes on British Postpunk Record Production - Albin Zak 3. Mixing with Quotation Marks: Restrictive Mashups and Contextual Transformation - Ragnhild Brøvig-Hanssen 4. Heaviness in Three Dimensions: The Use of Sonic Space in Contemporary Metal Music Production - Mark Mynett Part 2 – The Social Interactions Of Production Activity 5. Who’s the Producer? - Mike Howlett 6. Random Access Changed Everything - Richard James Burgess 7. The "Virtual" producer in the Recording Studio: Media Networks in Long Distance Peripheral Performances - Isabel Campelo Part 3 – Forms Of Theoretical Analysis 8. The Systems Approach to Creative Practice: The Case of Supersonic 2003–2004 - Phillip McIntyre 9. What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz - Marian Jago 10. Sound Engineering in the Recording Studio as Creative Practice - Paul Thompson and Phillip McIntyre 11. Studio Recording and World Music Making in Central America: The Case of the Garifuna Paranda, From Local Revival to Internationalization - Ons Barnat 12. Haydn in Modern Dress: Applying Experimental Contemporary Production Techniques to the Classical Repertoire - Simon Zagorski-Thomas