Introduction; Chapter 1 Administrative Structure and Educational Provision: 1796–1861; Chapter 2 Administrative Structure and Educational Provision: 1861–1917; Chapter 3 The Development of Court Chant in Historical and Liturgical Context; Chapter 4 Concert Activities, Critical Reaction, Repertoire and Censorship; Chapter 5 The Directors of The Court Kapella as Composers of Church Music; Chapter 6 Conclusion;