Series Introduction
Timeline
Introduction: Deborah Cartmell (De Montfort University, UK) and Peter J. Smith (Nottingham Trent University, UK)
The Critical Backstory: Alison Findlay (Lancaster University, UK)
Performance History: Kathryn Prince (University of Ottawa, Canada)
The State of the Art: Elinor Parsons (De Montfort University, UK)
New Directions: Vile Tales in Much Ado About Nothing: Duncan Salkeld (University of Chichester, UK)
New Directions: Much Ado About Aging: Liz Schafer (Royal Holloway, University of London, UK)
New Directions: Much Ado or Love’s Labour’s Won? Does it Matter Which?: Lois Potter (University of Delaware, USA)
New Directions: YouTube Much Ado: Christy Desmet (University of Georgia, USA)
'How apt it is to learn': Resources for Staging, Studying, and Teaching Much Ado About Nothing: Brett Hirsch (University of Western Australia) and Sarah Neville (Ohio State University, USA)
Bibliography
Index